So that was Series Five. Or Series 31. Or Series One. Or Series Chin, whatever you want to call it.
The stakes were high, with news that filming was overrunning horribly, Matt Smith was crap and kept forgetting his lines, Karen Gillan was 'wooden' and Phil Collinson had been called back in to sort the whole mess out.
We won't reveal our sources, although it seems entirely likely that pretty much everyone in fandom knows where they came from, but let's just say there was an element of fear going into Series Fnarg.
And how wrong we all were eh? Chief among this wrongness were the rumours that Smith was crap. In fact, it's hard to imagine this being any further off the mark.
Matt Smith is wonderful, and his gentler, more alien, Doctor is perfect for Moffatt's 'fairytale' Doctor Who. The whole tone of this series feels a more comfortable place for Doctor Who, and the Doctor, to be than Russell T Davies' iteration - which was a series of ever-decreasing circles by the time the excellent David Tennant went, though his Doctor was not highly-liked in these parts.
It seemed almost unthinkable that the series, and Smith, could carry on where RTD and Tennant left off, but a fairly hefty shift in tone and pace and lead character has made it all look rather effortless.
For the first time in quite a while, the series felt much more Who than it had in a long time. Smith may just be the best Doctor... ever.
But while all the big things got sorted out, the parts that made up the whole didn't always feel right. Murray Gold's presence dragged the series back to a RTD vibe, and his syrupy/BOMBASTIC! style took away a lot of the nuances of the new series.
More bizarre still were some of the author/story choices. Toby Whithouse and Chris Chibnall delivered exactly what their previous stories suggested they'd deliver - utterly underwhelming stories that felt like a throwback to a couple of years ago.
Against rather lovely oddities like Amy's Choice, Vincent and the Doctor and The Lodger, they felt jarring in their straight-forward simplicity.
Mark Gatiss' Victory of the Daleks was, by all accounts, rather hacked to death in the editing suites and the end result was, frankly, a mess.
And stepping up to show-runner certainly sapped Moffatt's brilliance, with the slapdash The Beast Below and breakneck incoherence of The Big Bang.
There were no new, interesting monsters. In fact, the closest thing we got were the rubbish new Daleks. We had to put up with CGI thing hiding inside humans on at least three occasions, and the limits of the budget were evident in The Pandorica Opens when it turned out the Fucking Sycorax and the Fucking Weevils were in on the intergalactic plan to put the Doc away for good.
Still, Moffat handled the Autons and the Cybermen ten times better than RTD ever did - another subtle difference to the approach the two brought to the series.
And yet, funnily enough, it didn't really matter to me. The series felt fresh and fun. The Doctor seemed like, well, The Doctor. And Amy was breath of fresh air; a believable, volatile girl who didn't love her favourite Time Lord.
She may have had a slightly less healthy obsession with him, but inter-personal angst was banished from the TARDIS forever - 'I'm not that clingy!' seemed like a great riposte to the years of Marf and Wose.
Arthur Darvill's Rory eventually eclipsed the 'emasculated male' cipher that's been the default setting for most recurring male characters in the new series to become a rounded companion in his own right.
And, always at the centre of it, was Matt Smith. It's interesting to note that most new Doctors come into the role praising Patrick Troughton, and Smith took it a step further.
Watch him running - it's a straight lift from the Second Doctor. And he's always doing something with his hands - First Doctor? There's a bit of Four, Five and Eight in there too by our reckoning.
Not that The Eleventh Doctor is a pastiche; Smith has brought something new to the role again, and emphatically made it his own. He's a perfect choice.
So, series thingummy. A hearty slap on the back from us, and the best TARDIS crew in ages. No doubt tweaks will be made for next season.
Probic Vent demands Zygons and Yeti and the Dream Lord and a past Doctor and The Brigadier. And a remake of The Horror of Fang Rock. Simple enough eh? Oh yeah, and STOP RUINING OLD MONSTERS!
• Here's an end-of-season C&T for the series.
The Eleventh Hour - Fresh, fun and firmly established Smith as something new and interesting
Time of Angels/Flesh and Stone - A home run from Moffat, with plenty of twists and turns and great monstering
Amy's Choice - Offbeat and enjoyable - an episode that seems unthinkable under RTD.
Vincent and the Doctor - Intriguing, if cloying
The Lodger - Would have been horrible with Tennant. Good with Smith.
The Pandorica Opens/The Big Bang - Absolute gibberish, but wins points for not having thousands of cloned Sontarans invading the Taj Mahal and Eiffel Tower. Magic Light and Power of Love notwithstanding.
The Beast Below - Too many elements that didn't seem to add up.
Victory of the Daleks - A horrible mess, and shit new Daleks. Almost saved by performances, but not quite.
Vampires of Venice - Dull filler
Hungry Earth/Cold Blood - Dull Chibnall filler that fluffed one of the most interesting premises in Who mythology.
• Caves and Twins? What are you dribbling on about?
Go here: Caves and Twins
Oddly enough, there's a party political broadcast floating about the web at the moment starring Sean Pertwee - son of Jon, who was a big mate of Jim Callaghan - and boasting a voiceover by none other than David Tennant.
As if to underscore the Who connection, Pertwee even quotes his father:
My father always said "Don't give up."
"Show resolve," he said. He was so right.
Pertwee is presenting a fairly unsubtle metaphor in this election broadcast for Labour, but it's a polished, and gently powerful message in a good-looking broadcast that brings to mind Hugh Hudson's films for Labour in 1987.
There's been something of an explosion in Doctorly support for Labour recently, with Peter Davison stating that he 'tremble[s]' at the idea of a Tory government; David Tennant calling David Cameron 'terrifying'; and Steven Moffat claiming 'stuff would be s**t' under the Tories.
There's also some recent stuff about The Beast Below containing an anti-Tory message; RTD has made his anti-Conservative feelings known on several occasions; and Andrew Cartmel and Sylvester McCoy recently suggested that their era was anti-Thatcher. And don't forget the left-wing Dalek.
For his part, Gordon Brown says Tennant is favourite Doctor (well, it was going to be either him or McCoy wasn't it?).
Extraordinary stuff. Of course, actors and creatives naturally lean to the Left, and if Doctor Who isn't a show that revels in left-wing, or at least liberal, ethics then I don't know what does. There's a long-running debate as to whether there are any Tory Doctors, with the Third mentioned most frequently, though this has always struck me as unlikely.
The Doctor Who Forum's politics thread currently shows a heavy bias against the Conservatives in a poll on likely voting behaviour of those on the board, which poses some rather chicken-and-egg kind of questions.
What would The Doctor make of it all? It's tempting to imagine Hartnell, wildly off-script and taking advantage of time constraints in 1964 urging 'all of you at home' to vote for the pipe-smoking chap. Then again, with Billy's habit of fluffing names, he'd probably end up backing Herman Walton.
Sean Pertwee and David Tennant in The Road Ahead
I've decided that I'm going to give bullet-point reviews of the new series in terms of what I liked and what I didn't like.
And in true geek style I'm naming the good stuff after Caves of Androzani – the best Doctor Who story ever – and The Twin Dilemma, which is possibly the worst.
Those not familiar with the classic series might care think of it as Blink and Rose; or Midnight and New Earth; or Fireplace and Stratagem.
Anyway, I've enjoyed the new series under Steven Moffat so far, and think Matt Smith and Karen Gillan are shaping up to be excellent.
I'll have to go back and rewatch The Eleventh Hour in the future, here's The Beast Below for now.
Matt Smith's continuing excellence - Gangly, distracted, underplayed, vague suggestion of cunning. Troughton is actually one of my less favourite Doctors, but Smith has caught everything good about The Trout.
Karen Gillan - Porno reaction shots notwithstanding, Gillan makes Amy believable and sufficiently clued-up without being irritating.
The Doctor on the screen - a nice little throwaway visual gag.
Doctor detective work - Is this a new motif for the new series? The Doctor works stuff out by deductive reasoning. Pleasantly different from waving a sonic screwdriver at something and frowning.
The Doctor gets angry - Again, came over as underplayed and real, a great counterpoint to Tennant's SHOUTYNESS-AH!
Churchill and Daleks - Love the lead-in to the next episode.
This isn't going to be big on dignity! - Just an amusing line
Space Whale - As a friend of mine put it: Fucking Space Fucking Whale.
Old, alone, kind, wibble - As subtle as an RTD season finale.
Liz Ten - Curiously annoying.
Wasted smilers - Somehow should have been much more creepy.